Bromantes Architecture Represents the High Reneissance Essay Example for Free

Bromante’s Architecture Represents the High Reneissance Essay Donato Bramante was born in 1444 to a poor farmer’s family. Bramante was a famous Italian painter and architect. He moved to the city of Milan in 1474, where the gothic style of buildings influenced his creations. The High Renaissance was a time in Italy and Rome that the artists were learning how to show perspective, and about anatomy. Donato D’ Angelo Bramante made his mark in the High Renaissance period. He inspired other architects to express themselves. Some of his works include the church of Santa Maria presso, the Tempietto, Santa Maria delle Grazie, the new St.   Peter’s church, and others (Catt, 2010). By 1499, the French occupation of Milan had forced Bramante to Rome. Taken up by the entourage of Alexander VI, he first designed the cloister of S. Maria della Pace (Bramante, Donato, 1994). In 1476 Bramante first greatest achievement was the church of Santa Maria presso San Satiro. It was built on commission by Duke Sfora that was dedicated to Saint Satyrus (biographybace, n. d. ). However, Bramante’s contributions are seen in the choir area that he remodeled. Bramante had used perspective painting to make it look larger than it really was. Using the art of illusion he made the choir seem to be three bays long, but the space did not actually exist. There was a wall that prevented Bramante from building the choir. So what you see actually is only one meter deep (Web Gallery of Art, n. d. ). â€Å"Italian architect and painter. He is best known as the greatest exponent of High Renaissance architecture. His first building, Santa Maria presso San Satiro in Milan (c. 481), use perspective to give an illusion of deeply receding space in the choir. In 1506, he started rebuilding St Peter’s, Rome. His influence was enormous, and many Milanese painters took up his interest in perspective and trompe l’oeil† Donato Bramante, (2008). The Tempietto was another one of Donoto Bromante’s great works. It is believed that this shrine was built on the site of St. Peter’s martyrdom. This piece was commissioned by King Ferdin and and Queen Isabella for this very reason (kleiner, 2010). The Tempietto was a small round temple at San Pietro in Montro, in Rome, and was build 1502. This piece of architecture is considered to be a masterpiece of High Renaissance (kleiner, 2010). The Essential humanities. net, calls it â€Å"the crowning jewel of High Renaissance† (2010 p3). His classical structure contains many elements such as; columns, a dome, drum, base, and a vault. This small design was Bramante’s â€Å"most harmonious building of the renaissance† (biographybase, n. d. , p. 1). â€Å"The Tempietto (1502) at S Pietro in Montorio, Rome. The small circular structure, erected as a martyrium to St Peter, is reminiscent of the temple of Sibyl at Tivoli, with its classical entablature carried on a Tuscan Doric colonnade and rich frieze of metopes and triglyphs. It was the first monument of the High Renaissance and established a prototype for sixteenth-century church design† (Bromate, donato 1987). One of Bromante’s early works in Milan was the church of Santa Maria delie Grazie. This building was started by another architect. The Santa Maria delie Grazie was a large church with long aisles. Bramante contributed to this work by adding the tribune to the east end. When Bramante went to Rome, he left this church unfinished (Web Gallery of Art, n. d. ). According to the text the old Saint Peter’s was falling apart and deeded much repair. Julius II chose Bramante to design and replace the Saint Peter’s church. The floor plan of the new Saint Peter’s church featured a cross â€Å"with arms of equal length, each terminating in an apse† (kleiner, 2010 p. 477par. 3). Julius II wanted the new church to serve as a memorial, to mark Saint Peter’s grave and have his own tomb in the church. Bramante’s plans were complex and extreme with intricate symmetries of a crystal. His plan showed none interlocking crosses in which five of them were supporting the domes. However, Bramante died in 1514, at the age of seventy, about the time the construction began (Nickerson, 2008). â€Å"Bramante’s plan has been obscured by later work, though Michelangelo used as much of it as he could. What the interior would have looked like can be seen in Raphael’s painting The School of Athens† (Bramante, Donato [1444 – 1514]. 1994). The works of Donato Bramante include the church of Santa Maria presso, the Tempietto, Santa Maris delie Grazie, the new St. Peter’s church, and others. Bramante’s works are divided into two time periods. The first period was spent in Milan, and the second was in Rome. In Milan, his work was decorative and picturesque. However, in Rome his work became more in the High Renaissance style (Sauer, 1907). He set the stage for artist in the High Renaissance, and his work with perspectives have been studied and copied today. Bromante’s Architecture Represents the High Reneissance. (2017, Jan 06).